Sep
01
2009
Another example of an environmental portrait that can also serve as a headshot. This time a simple hallway serves as our background and a blend of natural daylight and warm tungsten light on our subject provides the color variation. Similar to the HHMI fellows, this portrait can be cropped as a headshot as well as serve as a consistent portrait location for the Cancer Care Associates team.
Our subject is Dr. David Chan, an excellent oncologist in the South Bay area of Los Angeles and a family friend (he and my wife trained together at Stanford).

Oncologist David Chan, M.D.
I recently spent a couple of days in his busy office creating images of patient care and research for his website and stock use. Look for those photos in my next post.
Mark Harmel
harmelphoto.com
Aug
31
2009
I enjoy the challenge of shooting portraits of young medical researchers that need to serve a dual purpose. When Howard Hughes Medical Institute announces their new Gilliam Fellowship recipients they only run one very small headshot version on their website. But they often have other uses when they can run a full photo that includes more environment.

Angelica Riestra, HHMI Gilliam Fellow at UCLA
Here are two recent examples of this year’s recipients that were shot at UCLA. The portrait of Angelica Riestra shows how the same photo with a clean background can work successfully for a small headshot and yet has enough interesting information to be used in a larger feature format like the example of Ryan Dosumu-Johnson below.

Ryan Dosumu-Johnson, HHMI Gilliam Fellow at UCLA
I’ve since applied the style to corporate and academic leaders as well. I prefer the result better than the standard portrait in front of a studio background. What do you think – is it a smarter approach?
Mark Harmel
harmelphoto.com
Oct
04
2008
Just before our current financial crisis entered possible meltdown territory I had the opportunity to spend a day in my financial advisor’s office taking what I call my modified candid photos of their office worklife that will be used in a company brochure and website.

I love doing this style of shooting. Part of the process is being a fly on the wall and capturing spontaneous interactions that happen in the hallway.
The other part involves going into specific offices and work areas, doing some improvements to the existing lighting and then direct the people to act naturally instead of posing. I find that the best method for this is to start with my staging and lighting and then help the person become reengaged with their job. Interacting with a co-worker on a real issue is often the best approach.

The client likes this because real work is accomplished in the process and my normally camera shy subjects return to using their real gestures and become engaged.

I’ve also learned the art of doing nothing. When a person is already looking natural and engaged I can concentrate on improving on the existing light and searching for interesting angles through gaps in monitors or in reflections.

Whether shooting on the street or in an office I always love how the environment can add to the story. In this case I get to use my fine art photo of the old Pacific Stock Exchange building as a way to tell the financial story of my client’s firm.

The original Pacific Stock Exchange photo. The San Francisco build is now being used as a Equinox fitness club.
Here are some page samples from one of the finished brochures:





Mark Harmel
harmelphoto.com
@MarkHarmel