World traveler and photographer Glen Allison is in Siem Reap complaining about a little rain. He calls it a typhoon. But typhoon – monsoon. What’s the difference. Rain is rain. As Ernst Haas says, “It’s all part of the effect.”
Western causeway to Angkor Wat in a little rain
Sure you can write circles around me in that blog of yours with all of your poetry sounding words, but can you shoot?
You’ve been around the world what two times going on three now? I was juggling shooting with being social in a group in between diabetes talks, and did I complain about the rain?
When you’ve got something to show let us see what you’v got.
Many photographers only want to shoot in the “golden hours” at sunrise and sunset. I recall being in a workshop with one of my heros Ernst Haas and hearing him talk about “looking for the light”. He believed that there was always good light at every part of the day. You just had to know where to find it and more importantly – how to see the great light.
What is fabulous about the desert is that even the high noon, burnt-out light that I often avoid looks right in the desert. The subject matter lends itself to that hot and desolate look that goes with the harsh light. Here is a blooming occotillo cactus positioned against an open sky.
Near high noon show the empty expanse of the desert
You can then revisit the same subject matter later in the day to achieve a completely different look. This time it was close to sunset, with the help of my friend Martin who helped to flag the sun off my lens, I was able to shoot right into the sun and place the tall occotillo cactus against the mountain instead of the blue sky.
Late afternoon lighting shooting directly into the sun
Different treatments of same subject shot with very different light. It is all a matter of of telling the right story at the time of day you are shooting.